Monday, 21 January 2013

Writing rubbish

I read an article today by Michael Madden in Writing Magazine about allowing yourself to ‘write rubbish’.  A fellow-student on my MA in Creative Writing called it writing a ‘shitty first draft’ and assured us that was the correct term.

Call it what you will, one thing I know from years of study is this:

 You can’t edit a blank page.
 
Until something is written down, on paper or screen, it stays knocking around in your head and remains that (great but) elusive idea.
 
One of my New Year’s Resolutions is to get back into a routine of writing EVERY DAY.  This is today’s product, and I’ve still got time to read over my novel-in-progress so that I’m ready to write the next chapter at this time tomorrow.
 The recycling bin is there waiting should it be needed.

 

 

Monday, 5 November 2012

NaNoWriMo 2012

1st November brought with it National Novel Writing Month (NaNoWriMo). Once again I am going to try for 50 000 words of a new novel. The idea is that you knock out nearly 2000 words per day for 30 days to give the raw material from which to write the next big thing.

So far I have done 5714 words which means that I am behind the average required by 2619 already. I have caught up a bit since Saturday night so feeling confident. I am going to spend almost the whole of Thursday writing, including a NaNo-meet-up in a cafĂ© in Kendal at 4.30pm. As I understand it, we won't talk to each other, we'll just sit there scribbling away for an hour.  We'll see.

Any other Cumbrian NaNos going?

Tuesday, 30 October 2012

Very Very Short Story

How about this as a writing exercise?

Write a very short story - a Twitter-short story of only 140 characters.

An example from @VeryShortStory is below.

'The power went out. The elevator stopped. In the dark you told me your fears and cried.  The next day you fired me to keep your secrets safe.'

My next challenge is to write one of my own.  Watch this space.







Wednesday, 24 October 2012

Free writing

In groups we often start with some free writing. The person leading the session will give a series of words, sometimes linked but often not, and we simply write what comes into our heads. If you can't think of anything, you simply write 'I can't think of anything' until something else comes to mind. I find it is much easier to do when being directed by someone else. At home on my own I hardly ever do it.

Today's exercise is free writing.                                       

Write a page about each of the following topics. Banish all distractions and don't worry that you don't know much about the subjects - write what comes into your mind. It isn't a test and nobody else need ever see it. In fact, you never need to read it back. It is surprising, however, what comes out when you do an exercise like this.

So, one page each on:
  • Office furniture
  • Marilyn Monroe
  • The ozone layer
  • Swallows
  • Christmas decorations

What surprised you?

Did anything spark a memory that you had forgotten about?

Did you get any ideas for a longer piece of work?

Can you make any connections between the five subjects?

Now that you have 'loosened up', is it time to start on some serious writing?

Tuesday, 23 October 2012

The sounds around us

Writing exercise 23.10.12

I am going to try to do a writing exercise every day.  Here is today's adapted from The Creative Writing Coursebook.

  • Write down 5 things you can hear right now.
  • List what you associate with those sounds.

Examples:
- a car engine might remind you of being driven to school
- the door slamming might remind you of family arguments
- a dripping tap might remind you of your student days


In a group, this exercise is really interesting as people tend to hear the same things and interpret them differently. It demonstrates the variety of ways in which people relate to and react to the world around them.

Try it on your own. Look at the words you chose to use and look at your associations.
This is YOUR language.
These are YOUR stories.

Ask yourself -
  •  is this YOUR unique writing voice?
  • are you using cliches, and if so, is there something more original you could say?

Please, try it and let me know how you get on.


I'm going to do this writing exercise right now.


The Full Manuscript

Hello everyone

Since last time we spoke, an agent asked to see my full manuscript.  How happy I was! 

Three weeks later she said it wasn't for her.  How sad I was!

I am currently deciding what to do next. A friend at Mungrisdale Writers has self-published. Her book is called Learning to Tie a Bow by Sarah Hampton. Should I do the same?

What do you all think?

Bel x

Monday, 21 November 2011

The rite of passage

So much has been written about getting rejections from agents and publishers. All I can add it that it is all true. Last time I spoke to my writing-buddy Lizzie Gates (http://authorgym.wordpress.com) I told her that I was despondent. She still maintains that you can’t call yourself a writer and that you mustn’t allow yourself to be down-hearted until you’ve had at least thirty (yes, 30) rejections. My niece Katie Ward, whose lovely book Girl Reading was published by Virago this year, says thirty – and all the rest! To date, I have had four rejections and have not been short-listed for the two debut novel competitions I entered.

So now it’s back to the drawing board. I am looking at my journal and reminding myself of some of the basics:

·         Research the agencies to be sure to approach the right ones
·         Follow their guidelines – to the letter
·         Know which authors/books you liken yourself/your book to (grammar!!)
·         Welcome feedback and don’t be over-sensitive
·         Persevere
·         Use contacts shamelessly (I’ve never been able to do that for anything)
·         Be professional (does that contradict the point above?)

I’m going back to Writers’ and Artists’ Yearbook now to continue my quest.